Review: Wise Blood

Wise Blood
Wise Blood by Flannery O’Connor
My rating: 4 of 5 stars

Not sure if there’s any point to writing a review about a book that’s been out since before I was born, but what the hell. My so-called reviews are basically just blog entries anyway. Have you read Wise Blood? Maybe you should. If you’re a writer, anyway. It’s the kind of book that locks down a style and does not let go. Doesn’t compromise because it doesn’t have to. If you want to know what a “voice” is and what it can do, read Wise Blood.

And if you’re a reader, the kind of person who likes to open a book and plant his or her eyes on the first word and get pulled along and then look up eventually and realize half the day is gone. And this without much of a plot to speak of. Flannery O’Connor manages, somehow to plop you down in the post-war South without too much flowery language. You’ll get a few mosquito bites and tend to mop at your brown with a damn handkerchief and you won’t even realize it until you think about it.

I came to Wise Blood because a friend of mine was reading it, and he’s going through a rough patch, and O’Connor’s a go-to for him when he needs some perspective. But I’d read some of the short stories it’s based on before, which made parts familiar. I think you’ll find that multiple readings just make this book better. Being familiar with Flannery O’Connor in general, and this book in particular, will show off its depth, which can be glossed over, since it’s so easy to read otherwise.

Of course a novel set in the American South in the 40s is going to have some racist language in it. But to her credit, O’Connor doesn’t accept or promote racist ideas- they’re just part of the background. The distinction is necessary, otherwise every novel set in America would either be a racist screed or a pamphlet for social-justice. The former is to be abhorred, and the latter applauded, but not every book has to be about race. Nevertheless, the language can be uncomfortable. Some people don’t read Mark Twain for this reason. I’m not going to blame them- there are too many books in the world to have endure something you don’t want to endure if you’re just looking for a good read.

On the other hand, rest assured that in Wise Blood, at least, there’s not much of it. Same can’t be said for other works by O’Conner, but this one’s more about religion than anything else. Or a lack of religion. Or what happens when a fellow tries to get rid of something he hasn’t got in the first place.

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